During the time in which my artist
wife, Allison, was struggling to teach me photographic
composition, we took a trip to Tucson, AZ, and found the San
Xavier del Bac Mission.
As we often do, we separated to wander the Mission grounds
on our own, agreeing to meet in an hour, to exchange our
observations.
I walked down this lane, and found this wonderful wrought -
iron fence, with the shapes of the fences repeating the
shapes of the bells in the belfry, and the shapes of the
cactus just behind the fence. In addition, the curve of the
fence shapes exactly repeated the curve of the arches in the
belfry!
It was “repetition of pattern” and then some, and I worked
it for a half hour, trying different compositions. At that
time, Allison had a habit of pointing out great
compositional possibilities that I had walked right by, so I
was very pleased that I had spotted this on my own. When I
had exhausted all my ideas, I went to meet her, as we had
planned.
We started exploring the Mission grounds together, and I
walked her down the lane where I had found this image. She
strolled right by the fence, without any reaction, so after
a few minutes of walking elsewhere, I headed her back along
the same lane, in the opposite direction. Again, she went
right by the fence, without comment.
To make a long story short, we went along that lane five
times, until she finally asked, “Haven’t we been down this
lane several times? Why do you keep bringing us here?”
We were standing in front of the fence at the time. I
replied, “Yes, we’ve been by here five times, and I’m
waiting for you to see this great photo op!”.
“What photo op?”, she asked.
“Look at the fence in front of you”, I told
her, and she did. “Now, look at the belfry of the
mission”. She complied with my instructions.
“Now”, I said, “Look at the belfry through the fence,
keeping both of them in focus at the same time!”.
I could tell when the compositional possibilities hit her,
by the way her jaw dropped, and her eyes lit up ...
Mike Goldstein
Toronto, Canada